But Gamble and Huff—who began writing hit songs together in the mid-1960s and founded Philadelphia International Records (PIR) in 1971—did much more than give the hip-hop generation fresh beats. They changed the sound of soul music and created one of the most influential movements in pop music, the Philly Sound. Their brand of soul featured a chorus of strings dueting with a thumping bass.
Williams believes the combination of the quality songwriting, the expertise of Gamble and Huff and the addition of Charles “Cholly” Atkins, a choreographer who taught The O’Jays the dance steps to go along with the songs, were the perfect elements that were added to the The O’Jays’ innate talent. And that was the recipe for the group’s success in the 1970s.
The song, which went on to hit number one in the US, was written by Kenny Gamble, Leon Huff and lyricist Cary Gilbert. Gamble and Huff (good names for a production duo) were instrumental in.
Berry Gordy is the greatest record man in American music history. From that modest wood-frame house in Detroit he built Motown Records, which in the 1960s and ’70s grew to become the most successful independent record label in America, producing some of the greatest, most uplifting and most enduring popular music in history. In the wood-panelled library in his home, photographs hang on the.
With Gamble and Huff, The O’Jays (now a trio after the departure of Isles and Massey) emerged at the forefront of Philadelphia soul with Back Stabbers (1972), and topped the Billboard Hot 100 the following year with Love Train. Numerous other hits followed through the 1970s and into the 1980s and 1990s, The O’Jays were inducted into the Vocal Group Hall Of Fame in 2004, and The Rock and.
All 65 songs from the Moulin Rouge! (2001) movie soundtrack, with scene descriptions. Listen to and download the music, ost, score, list of songs and trailers.
Harold Melvin was one of the driving forces behind Philadelphia soul, leading his group the Blue Notes to the top of the charts during their stint on Kenny Gamble and Leon Huff's Philadelphia International label. Despite Melvin's billing out front, t.
When Leon Huff and Kenneth Gamble would huddle to write songs, they’d each bring a long, yellow legal pad of potential titles, sometimes 200 or 300 each. Huff would sit at the upright piano in.
This is a list of the songs recorded by Elvis Presley between his first demos at the Sun Studios in 1953 and his final concert on June 26, 1977 at the Market Square Arena in Indianapolis, Indiana. Notes:. The recorded date is the first known date. Album debut refers to each track's first appearance on LP. Many tracks had their first commercial release on singles or EP (extended play.
It was as a member of Yellow Sunshine I met Gamble and Huff. They signed the group to the label, and we did an album there in 72, that was released in 73. At first I went through the process of submitting songs to them until finally in 1974 I got my first saw on Billy Paul, which was called Billy’s back home. From then on I was able to write, produce, arrange, and sign to the label as a.
Philadelphia International Records was founded in 1971 by the very talented writer-producer duo Kenny Gamble and Leon Huff, along with collaborator Thom Bell. It very much showcased a new genre of music based on the gospel, doo-wop, and soul music of the time. Throughout the 1970s the label released a string of worldwide hits which featured lavish orchestral instrumentation, heavy bass, and.
Kenny Gamble, along with his partner, Leon Huff, is responsible for writing, producing, and recording more than 3,000 songs performed by over 50 artists with 200 becoming all-time hits (standards). It is estimated that one of Mr. Gamble’s songs is played every thirty minutes somewhere around the world. This body of work affectionately termed “The Sound of Philadelphia (TSOP)” is one of.
The 30 greatest love songs of the 1990s Billy Paul - 'Me and Mrs Jones' Written by Kenny Gamble, Leon Huff and Cary Gilbert, 'Me and Mrs. Jones' describes an affair between a man and his lover, Mrs Jones.
Gamble and Huff DID NOT write and produce all of the records produced in our city just as Berry Gordy did not write and produce all of the songs for Motown. There was Thom Bell, Norman Harris, myself, Dexter Wansel, T. Life, Allen Felder,Talmadge Conway,Ronnie Baker, Ron Kersey, Larry James, Nick Martinelli,Phil Hurtt, Bunny Sigler, Tony Bell, and a host of other very talented writers and.
Not so with this one, and the mystery is not only how this great Gamble and Huff composition recorded by the Intruders failed to score a Top 40 hit when it was released in 1967, but how the remake did better. The Intruders had quite a few hits, most notably the Top 10-charter “Cowboys to Girls,” but this very fine song just didn’t wow audiences. Jump ahead to 1980, and Tierra surpassed.The Intruders Originally formed in 1960 as a Doo-Wop Group, by around 1966 they had linked up with Songwriters and Producers, Gamble and Huff, during the 60’s they had several Tracks Released on the Gamble Record Label. They later moved to Gamble and Huff’s more Successful Record Labels, “Philadelphia International” and “T.S.O.P”.Gene McFadden and John Whitehead were songwriters and producers at Philadelphia International Records, where they worked on many of the tracks that helped define the Philadelphia.